Showing posts with label Emily Contribution. Show all posts
Showing posts with label Emily Contribution. Show all posts
Friday, February 1, 2013
Scarlett's Bedroom
Floor plan of Emily's bedroom, the location which will be used as Scarlett's bedroom. Walls, carpet, armchair and shelves are red, and tables, wardrobes and bed are white. This room was primarily selected due to the colouring, whilst also having ease of access in the hallway outside, and well as the access provided by the positioning of the bed and wardrobes. In addition to this, my bedroom already has some retro London themed decorations, such as canvas prints, union jack bunting and a clock shaped like a bicycle, and this contributed to the British feel of our film.
Music
Our soundtrack was downloaded from www.freeplaymusic.com and is called 'Full of Mesh'.
On the website, it is credited as a
"Happy upbeat track with dual guitars rocking riffs, solid rhythm section gets your foot tapping."
1. Full Of Mesh (1:07) - Found on Solid Rock Vol 1 |
Happy upbeat track with dual guitars working rocking riffs, solid rhythm section gets your foot tapping.Feeling: Rocking/Upbeat, Motivational, Adventure/Action,Rhythmic/Upbeat | Style: Rock & Roll Instrument: Drums, Bass, Guitar | Tempo: Med-Fast Composed by:Leroy Bocchieri, BMI Published by: Freeplaymusic, BMI |
Thursday, January 31, 2013
Suppliers of costumes and props.
A colour coded list of the individuals supplying each piece of costume or props for a certain character.
Ideally, the majority of props and costumes should come from either the location we are shooting in or from the actor using them.
OLIVIA
ZENIA
EMILY
ARIANNA
LAUREN needed for Shoots 1 and 3
Costume:
Skirt- Olivia
Blouse- Olivia
Belt- Olivia
Tights- Olivia
Shoes- Olivia
Jacket- Olivia
Pajamas- Olivia
Props:
Satchel- Olivia
Diary- Zenia
Make up- Olivia
Hairdryer- Olivia
Alarm clock- Olivia
Toothbrush- Olivia
Everyday setting props (for bedroom)- Olivia
SCARLETT needed for Shoots 2 and 3
Costume:
Shirt- Zenia
Skirt- Zenia
Socks (stripey)- Emily
Socks (black)- Emily
Shoes- Zenia
Hoodie- Olivia
Pajamas- Zenia
Props:
Paul's Boutique bag- Emily
Cigarettes and packets- Emily, Arianna and others.
Lighter- Emily
Lipstick- Emily
Blackberry- Arianna
Toothbrush- Zenia
School brochures- Emily
Postcards- Emily and Arianna
Clothes and other general room clutter- Emily
FRIENDS Needed for Shoots 1 and 3
(Emily)
Costume:
Shirt- Emily
Skirt- Arianna
Tights- Olivia
Shoes- Olivia
Jacket- Olivia
Props:
Bag- Emily
(Arianna)
Shirt- Olivia
Skirt- Arianna
Tights- Arianna
Shoes- Olivia
Jacket- Arianna
Props:
Bag- Arianna
Ideally, the majority of props and costumes should come from either the location we are shooting in or from the actor using them.
OLIVIA
ZENIA
EMILY
ARIANNA
LAUREN needed for Shoots 1 and 3
Costume:
Skirt- Olivia
Blouse- Olivia
Belt- Olivia
Tights- Olivia
Shoes- Olivia
Jacket- Olivia
Pajamas- Olivia
Props:
Satchel- Olivia
Diary- Zenia
Make up- Olivia
Hairdryer- Olivia
Alarm clock- Olivia
Toothbrush- Olivia
Everyday setting props (for bedroom)- Olivia
SCARLETT needed for Shoots 2 and 3
Costume:
Shirt- Zenia
Skirt- Zenia
Socks (stripey)- Emily
Socks (black)- Emily
Shoes- Zenia
Hoodie- Olivia
Pajamas- Zenia
Props:
Paul's Boutique bag- Emily
Cigarettes and packets- Emily, Arianna and others.
Lighter- Emily
Lipstick- Emily
Blackberry- Arianna
Toothbrush- Zenia
School brochures- Emily
Postcards- Emily and Arianna
Clothes and other general room clutter- Emily
FRIENDS Needed for Shoots 1 and 3
(Emily)
Costume:
Shirt- Emily
Skirt- Arianna
Tights- Olivia
Shoes- Olivia
Jacket- Olivia
Props:
Bag- Emily
(Arianna)
Shirt- Olivia
Skirt- Arianna
Tights- Arianna
Shoes- Olivia
Jacket- Arianna
Props:
Bag- Arianna
Split Screen Filming Techniques
In film and video production, split screen filming is used to show complimentry or contrasting events taking places alongside one another, this could be detailing events taking place in different times, locations, or to different characters. The screen is split (usually down the middle, but a variety of arrangements can be used), with the alternate clips playing alongside each other.
Prior to the 1990s, before advances in digital technologies, a split screen was created using an optical printer using two video clips filmed seperately, which were copied onto the same negative, called the composite.
NOTABLE USES OF SPLIT SCREEN
Prior to the 1990s, before advances in digital technologies, a split screen was created using an optical printer using two video clips filmed seperately, which were copied onto the same negative, called the composite.
NOTABLE USES OF SPLIT SCREEN
Life of an American Fireman | 1903 | ||
Suspense | 1913 | ||
Napoléon | 1927 | ||
Pillow Talk | 1959 | ||
To Be Alive! | 1964 | ||
Chelsea Girls | 1966 | ||
Grand Prix | 1966 | ||
A Place to Stand | 1967 | ||
In the Labyrinth | 1967 | ||
Charly | 1968 | ||
The Thomas Crown Affair | 1968 | ||
The Boston Strangler | 1968 | ||
Airport | 1970 | ||
Dionysus in '69 | 1970 | ||
Multiple Sidosis | 1970 | ||
Woodstock | 1970 | ||
Sisters | 1973 | ||
Wicked, Wicked | 1973 | ||
Phantom of the Paradise | 1974 | ||
Carrie | 1976 | ||
Dressed to Kill | 1980 | ||
Blow Out | 1981 | ||
Sammy and Rosie Get Laid | 1987 | ||
Wall Street | 1987 | ||
The Bonfire of the Vanities | 1990 | ||
Boogie Nights | 1997 | ||
Jackie Brown | 1997 | ||
"Closing Time" | 1998 | ||
Snake Eyes | 1998 | ||
"Triangle" | 1998 | ||
The Virgin Suicides | 1999 | ||
Requiem for a Dream | 2000 | ||
Snatch | 2000 | ||
Timecode | 2000 | ||
24 | 2001-2010 | ||
Femme Fatale | 2002 | ||
The Rules of Attraction | 2002 | ||
Kill Bill | 2003 | ||
Hulk | 2003 | ||
Sexual Dependency | 2003 | ||
Sideways | 2004 | ||
Conversations with Other Women | 2005 | ||
The Tracey Fragments | 2007 | ||
(500) Days of Summer | 2009 | ||
127 Hours | 2010 |
Saturday, January 26, 2013
Character conventions
TYPICAL CHARACTERS OF A CHICK FLICK
Protagonist: The hero of the film, the storyline is based around her and an event or events in her life, she is usually strong and independant, and overcomes obstacles set in her way.
Antagonist: The enemy of the hero, this enemy can be from a long-lasting dislike or rivalry, or someone newly aquainted.
Friend/s: Since the protagonist is an aspirational type character, she usually has one or two close friends, one of which may be male (this could later turn into a love interest).
Parents of protagonist: Strict, usually funny or embarrassing. A stronger bond is usualy attained between the protgaonist and parents towards the end of the film/
All characters usually wear highly fashionable clothes and are well presented, unless the way they look is part of a storyline. They also always have up to date technology (phones, laptops, tablets, etc.) and this can feature highly if social networking and communications are relevant to the narrative.
Examples of protagonists:
Elle Woods (Reese Witherspoon)- Legally Blonde
Danielle DeBarbarac (Drew Barrymore)- Ever After
Georgia Nicholson (Georgia Groome)- Angus, Thongs and Perfect Snogging
Lizzie McGuire (Hilary Duff)- Lizzie McGuire Movie
Narratives follow the protagonist, and some kind of disruption, or problem occurring in their life. The antagonist either cause or contribute to this problem, and a rivalry is formed between the two characters, while the loyal friends of the protagonist usually remain supportive towards our hero. However, fights may ensue between the protagonist and her best friends, and this would eventually be resolved in either a reconciliation and reunion, or a realisation that the friend was not all they once seemed. A key role in every chick flick is the presence of a 'crush', a highly attractive male, who our protagonist is unable to obtain, and hence the narrative follows her pursuit of this love interest, with the film concluding with their blossoming romance.
Protagonist: The hero of the film, the storyline is based around her and an event or events in her life, she is usually strong and independant, and overcomes obstacles set in her way.
Antagonist: The enemy of the hero, this enemy can be from a long-lasting dislike or rivalry, or someone newly aquainted.
Friend/s: Since the protagonist is an aspirational type character, she usually has one or two close friends, one of which may be male (this could later turn into a love interest).
Parents of protagonist: Strict, usually funny or embarrassing. A stronger bond is usualy attained between the protgaonist and parents towards the end of the film/
All characters usually wear highly fashionable clothes and are well presented, unless the way they look is part of a storyline. They also always have up to date technology (phones, laptops, tablets, etc.) and this can feature highly if social networking and communications are relevant to the narrative.
Elle Woods (Reese Witherspoon)- Legally Blonde
Danielle DeBarbarac (Drew Barrymore)- Ever After
Georgia Nicholson (Georgia Groome)- Angus, Thongs and Perfect Snogging
Lizzie McGuire (Hilary Duff)- Lizzie McGuire Movie
Narratives follow the protagonist, and some kind of disruption, or problem occurring in their life. The antagonist either cause or contribute to this problem, and a rivalry is formed between the two characters, while the loyal friends of the protagonist usually remain supportive towards our hero. However, fights may ensue between the protagonist and her best friends, and this would eventually be resolved in either a reconciliation and reunion, or a realisation that the friend was not all they once seemed. A key role in every chick flick is the presence of a 'crush', a highly attractive male, who our protagonist is unable to obtain, and hence the narrative follows her pursuit of this love interest, with the film concluding with their blossoming romance.
Thursday, January 24, 2013
Chick Flick Conventions
- Usually deal with themes of love, dating and romance
- Target a largely female audience
- Often released around Valentine's Day
- These films are generally held in popular culture as having formulaic, paint-by-numbers plot lines and characters
- Use a female protagonist
- Feature the colour pink
- Contain female related issues, which the female audience will obviously be able to associate with
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr71hW3BOP-1ANdsv2yC_0kap0VxgZpYuTZ34n1VpDlcxVQvrsrQ-WacwEguNVXZOxZQT4kUKThlGthsW2RKGlQD84m1faS5LAw6YNqWfarlt6bV4rNWsK-Ess3xQBx4Im5kipYmstnVs/s1600/untitled.png)
One of the earliest examples of a chick flick is 'Breakfast at Tiffany's' in 1961 due to the elements of loneliness, fashion and of course has a happy ending.
Molly Haskell has suggested that chick flicks are very different from the women's films of the 1940s and '50s in that they now "sing a different tune." She feels that they are "more defiant and upbeat, post-modern and post-feminist."
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9yvW5txz-Mz3gUTjuaIhCddN6sfc8vXV4C5pSK-bSyllEykZObQURHQ5alPPUFYdq6uF-5UdXZVKAQZ0YrY4dlvgVDmE7K-r_dA2a5njUEyhAdxcyItSffKp512oBdyL0jaXpXs20wao/s320/shes-the-man.jpg)
Can be based on fairytales such as 'A Cinderella Story', 'Pretty Woman' and 'Ever After', or based on Shakespeare plays, as in the cases of '10 Things I Hate About You' and 'She's The Man'. Chick flicks have also been made based on books, such as 'Angus, Thongs and Perfect Snogging', and 'The Princess Diaries', even some more classic books have been turned into films, for example, 'Little Women'. In the case of 'Sex and the City', the characters and relationships were taken from the TV series.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfPO8pqO0sFhTJDCP5yfWUqaC0jn8I-sPwHYwHvygKznOSJpYxkXJR7oD-rjzXoyDynBioTarUnb3eZqBV3ICD-3Xg1nb1MxXmKYYHsQMcvPFd6yoYezdw4Zk7zvPlNZjfr5v9AL_72zs/s1600/220px-AngusThongsmovieposter.jpg)
EXAMPLES:
Love Story- 1970
Sixteen Candles- 1984
Dirty Dancing- 1987
Earth Girls Are Easy- 1988
Working Girl- 1988
When Harry Met Sally- 1989
Pretty Woman- 1990
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwP33G5VxMBFCGNArBPvxhja5uMOLDMpAlRAW9G0At1hXYpeuh3Ic9DxIMvmeIWpJWiM8Rmn0c6K5zVCLkptcVRVO-Zz_3CkpxUnm4K1l2LSNxYm7IiHF24OEoub0adX2bPOAh3k0nJak/s320/o-MEAN-GIRLS-MUSICAL-570.jpg)
Thelma and Louise- 1991
Sleepless in Seattle- 1993
My Best Friend's Wedding- 1997
Titanic- 1997
Legally Blonde- 2001
The Princess Diaries- 2001
Bridget Jones Diary- 2001
Down With Love- 2003
The Notebook- 2004
The Devil Wears Prada- 2006
Enchanted- 2007
27 Dresses- 2007
Sex and the City- 2008
Definitely, Maybe- 2008
Angus, Thongs and Perfect Snogging- 2008
Twilight- 2008
The Proposal- 2009
Confessions of a Shopaholic- 2009
Monday, January 21, 2013
Legally Blonde Opening Sequence Analysis
SOUND: Song 'Perfect Day', happy girly song, fits the theme of the film and sets the tone during the opening scene, the lyrics relate to the storyline.
CHARACTER: Establishes the protagonist Elle Woods, the President of the Delta Nu Sorority, Homecoming Queen, blonde, girly, perfect, loved by all the girls in her sorority. We see her getting ready, brushing her hair and painting her nails, while the scene is also cross-cut to show the delivery of a letter to Elle.
MISE-EN-SCENE: Bedroom- pink girly room, photos of pets and family, Herbal Essences blonde shampoo, nail varnish, Homecoming Queen banner, hairbrush, Delta Nu Sorority paddle, flowers, 'Cosmopolitan' magazine, teddy, pink cushions, Prada shopping bags and perfumes.
House and gardens- grass, fountains, lots of people casually hanging about or playing games, double doors, flowers, gym, hair and make up.
TITLES:
Metro-Goldwyn-Mayer Pictures presents
a Marc Platt production
Legally Blonde
Reese Witherspoon
Luke Wilson
Selma Blair
Matthew Davis
Victor Garber
Jennifer Coolidge
Holland Taylor
Ali Larter
Jessica Cauffiel Alama Ubach
Oz Perkins Linda Cardellini
Bruce Thomas Meredith Scott Lynn
special appearance by Raquel Welch
casting by Joseph Middleton c.s.a.
co-producers David Nicksay and Christian McLaughlin
music by Rolfe Kent
music supervisor Anita Camarata
costumes designed by Sophie de Rakoff Carbonell
edited by Anita Brandt Burgoyne a.c.e. Garth Craven
production designer Melissa Stewart
director of photography Anthony B.Richmond a.s.c/b.s.c.
based on the book by Amanda Brown
produced by Marc Platt and Ric Kidney
screenplay by Karen McCullah Lutz & Kirsten Smith
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